Michaela Pilar Brown

Columbia, South Carolina

Artworks shown are selected from works submitted by the artist in their grant or residency application. All works are copyright of the artist or artist’s estate.

About Michaela Pilar Brown

Michaela Pilar Brown stands in front of a painting, smiling and looking to the side with her hands clasped behind. She is a Black woman with medium dark skin, a shaved head and wears chunky glasses, a black dress, and colorful sneakers.

Michaela Pilar Brown trained as a sculptor at Howard University, though she cut her teeth in the halls of a museum in Denver, CO, where her mother worked as a security guard. She has been immersed in the culture of objects for her entire life. Brown’s practice includes photography, sculpture, installation, performance, and social intervention through moderated public discussion. Brown seeks to open dialogue in artists’ communities that catalyze dialogue and ignite change. Brown's relationship to her community is an active and urgent part of her practice. She serves as a facilitator with Artists U, an incubator for changing the working conditions of artists, and has served on multiple boards. She is the owner/director of Mike Brown Contemporary, a contemporary art space and gallery based in Columbia, SC.

Brown was the 2011 Harvey B. Gantt AIR at the McColl Center for Art and Innovation. She is one of the six American artists selected to participate as a Resident Artist for OPEN IMMERSION: A VR CREATIVE DOC LAB, produced by the CFC Media Lab, The National Film Board of Canada (NFB), and and JustFilms | Ford Foundation. She was an Inaugural Resident Artist at the 2016 Sedona Summer Colony and a 2016 Artist-in-Residence at Kunstlerwerkgemeinschaft, Kaiserslautern, Germany. She is the 2018 grand prize winner of Art Fields, a regional juried art competition.

Program Participation

Joan Mitchell Fellowship, 2024

Website / Social Links

I am interested in peering beneath things. I use racially identified signifiers to twist and turn mythologies about the body and the spaces, places, and histories that it occupies, often landing at the concept of home as both physical structure and repository for history, memory, and myth.”